This project is a remarkable opportunity to bring to life a story that honours its time, its characters, and its audience with intelligence and grace. in the shadows of global conflict, this beautifully restrained wartime drama charts the evolving relationship between Eisenhower and his driver-secretary, Kay Summersby. As the world hurtles toward invasion, the film lingers in the moments between movement: the silence of car rides, the weight of unspoken feelings, the tension between loyalty and longing. The story resists melodrama, instead offering a study in emotional intelligence and personal cost. What emerges is a portrait not just of a leader, but of a man - and of the woman whose life, though often overlooked, shaped his private world. Visually elegant and emotionally astute, A Question of Duty is a film that trades spectacle for soul. It’s a story of what history records - and what it chooses to leave out.

'The University of Revolution' reveals how the Irish people properly embraced the idea of independence following the Easter Rising, and how the leaders of the independence movement began to prepare for it. It's about the birth of the Ireland we recognise today, and how the events portrayed led the Irish people to embrace their identity on a truly national scale for the first time.

Based on true events and using actual first-hand recollections from descendants of some participants in the Rising, 'The University of Revolution' is the first film to explore the little-known concentration camp at Frongoch, which the British originally constructed to house German prisoners of war during WWI. It subsequently came to be known as 'The University of Revolution' due to the grouping together of originally disparate factions looking to secure 'home rule' for Ireland, during a period when the British military resources were almost fully directed towards the efforts in mainland Europe. The period the Irish rebels spent interned at Frongoch is credited with being a fundamental aspect of the eventual victory Ireland secured in the battle for independence.

’88 THE SECOND SUMMER OF LOVE is the story of Luke, an up-and-coming DJ who finds himself at the forefront of the house music explosion that drives these events, and what happens when his estranged, career-criminal father Vince Delaney suddenly dies. Soon after the funeral Vince's Marbella based business partner Donna informs Luke of the full extent of his inheritance, which includes Vince's recent plan to open a new nightclub on the 'White Isle' of Ibiza.

Reminiscent of 'Trainspotting' and 'La Femme Nikita', '88 is an absorbing, pulsating story examining the broader changes taking place in UK society as a whole, the events also tangling with the creation of the new market for ecstacy. As Luke reflects upon his relationship with the recently deceased Vince, his feelings for his father's former business partner Donna begins to interfere with his DJing career, leading to a dramatic finale on the White Isle.

Set aboard Eisenhower’s private wartime train in December 1944, A Question of Duty explores the unseen moments behind the public face of one of the most important military leaders of the 20th century. While the fate of Europe hangs in the balance, Eisenhower and his closest aides confront private doubts, personal loyalties, and the human costs of leadership., who has built a career in both film and theatre and is known to many as the brother of Tom Hanks, brings his own artistry, presence, and authenticity to the role. With his commanding stature, warm cadence, and deep dramatic instincts, Jim Hanks offers a strikingly human portrait of Eisenhower at a moment of unimaginable pressure. Set within the shadow of World War II, A Question of Duty is a play of remarkable restraint and emotional intelligence. Focusing on a brief, charged period aboard General Eisenhower’s mobile command train, the drama explores the unrelenting pressure of leadership when the world is watching, whilst exploring the unspoken bond between Ike and his driver-secretary Kay Summersby, and his friendship with the train's permanent Sergeant, the young Londoner Albert Phillips.

For decades, the sinking of HMS Thetis was a story Britain preferred to forget. Ninety-nine men died within sight of home, yet their suffering was buried beneath war, bureaucracy, and silence. The Admiralty’s official line - that the men “died instantly” - was accepted without question. When the submarine was raised on the day Britain declared war the tragedy simply disappeared into history. It wasn’t until the 1990s, when farewell letters from the wreck were finally made public and local communities in Merseyside began to tell their own version of events, that the true scale of the loss and the cover-up entered the national consciousness. In the 2000s, as the world watched the Kursk disaster unfold, Thetis was suddenly seen for what it was: an early, British example of institutional denial, class prejudice, and bureaucratic failure in the face of human tragedy.

In Eisenhower’s train, the decisions that would shape the course of D-Day and the liberation of Europe were made. The carriages became chambers of strategy, secrecy, and duty, a theatre of war invisible to the public but vital to the Allied cause.

Train Alive is more than a story of steel, steam, and strategy. It is a hidden chapter of wartime history - where the rhythms of the rails carried the pulse of a nation at war, and where Eisenhower’s “mobile war room” became both a symbol of secrecy, and of survival.