This project is a remarkable opportunity to bring to life a story that honours its time, its characters, and its audience with intelligence and grace. in the shadows of global conflict, this beautifully restrained wartime drama charts the evolving relationship between Eisenhower and his driver-secretary, Kay Summersby. As the world hurtles toward invasion, the film lingers in the moments between movement: the silence of car rides, the weight of unspoken feelings, the tension between loyalty and longing. The story resists melodrama, instead offering a study in emotional intelligence and personal cost. What emerges is a portrait not just of a leader, but of a man - and of the woman whose life, though often overlooked, shaped his private world. Visually elegant and emotionally astute, A Question of Duty is a film that trades spectacle for soul. It’s a story of what history records - and what it chooses to leave out.

'The University of Revolution' reveals how the Irish people properly embraced the idea of independence following the Easter Rising, and how the leaders of the independence movement began to prepare for it. It's about the birth of the Ireland we recognise today, and how the events portrayed led the Irish people to embrace their identity on a truly national scale for the first time.

Based on true events and using actual first-hand recollections from descendants of some participants in the Rising, 'The University of Revolution' is the first film to explore the little-known concentration camp at Frongoch, which the British originally constructed to house German prisoners of war during WWI. It subsequently came to be known as 'The University of Revolution' due to the grouping together of originally disparate factions looking to secure 'home rule' for Ireland, during a period when the British military resources were almost fully directed towards the efforts in mainland Europe. The period the Irish rebels spent interned at Frongoch is credited with being a fundamental aspect of the eventual victory Ireland secured in the battle for independence.

’88 THE SECOND SUMMER OF LOVE is the story of Luke, an up-and-coming DJ who finds himself at the forefront of the house music explosion that drives these events, and what happens when his estranged, career-criminal father Vince Delaney suddenly dies. Soon after the funeral Vince's Marbella based business partner Donna informs Luke of the full extent of his inheritance, which includes Vince's recent plan to open a new nightclub on the 'White Isle' of Ibiza.

Reminiscent of 'Trainspotting' and 'La Femme Nikita', '88 is an absorbing, pulsating story examining the broader changes taking place in UK society as a whole, the events also tangling with the creation of the new market for ecstacy. As Luke reflects upon his relationship with the recently deceased Vince, his feelings for his father's former business partner Donna begins to interfere with his DJing career, leading to a dramatic finale on the White Isle.

The performances are subtle and assured, with Kay’s quiet strength and Eisenhower’s stoic vulnerability forming the heart of the piece. Playwright Gary Tippings’ writing is sensitive and nuanced, eschewing melodrama for something more precise and lasting. The result is a wartime story told not in action, but in human cost - one that respects its characters, its audience, and its history. In a theatre landscape often crowded with spectacle, this is a rare and rewarding reminder of the power of silence, suggestion, and self-control.